And more about that historic cover.
My
favorite: treats the original as
a real news event with witnesses
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"the moment after FF 1" by 'sirandal' at deviantart - another personal favorite, treating the events as real |
Jack Kirby,
by Peder Riis
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John Byrne |
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Stan Lee as
the monster, with
Kirby as the angry Ben Grimm
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Stan and jack again, but Stan is older
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Marvel
Masterworks
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by Alex
Ross, for "Marvels"
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by Joe Jusko (note Stan Lee)
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DC characters, by G whitmore
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Alter Ego 33 - this one is DC characters, mimicking the original Brave and Bold cover
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Alter Ego 104, coverl by Ron Frenz and Joe Sinnott
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the original pencils, inked by
joltin' Joe Sinnott!
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By Dick Ayers (inker for the early FF from issue 6)
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"Pido
indicaciones" (Spanish for "I ask directions") by 'gvznabruto'. It's classed as
'traditional art' and 'political' - probably one of the most interesting
pieces on this page.
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probably the most popular
parody of all |
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by Brendan
Tobin
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by Brian Douglas Ahern
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cake by Jean Schapowal
( for all these images, right click -> open in new tab for larger version ) |
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by Matthew Neumann |
by
Pixelkitties - I love it!
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Spider Ham: I love it!
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'supercon' variant cover by 'MyNameIsMad'
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by Jonathan Grimm
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Mad parody by Nick Perks
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by Will Sliney for the Africa comic con
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a rare DC
tribute
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Sonic tribute by Scott
Shaw
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one of seven versions by John Byrne. Can you spot the others? |
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by mataiodoxia, who
writes "The monster grabbing them from the depths of the road is 'El
Venizel - Megali Idea', a joke (?) onto itself.. (which is far too
complicated to explain here)"
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by Chris
Giarrusso
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variant
Chris Giarrusso?
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another by Chris
Giarrusso
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by Paul
Sizer, for an exhibition
recreating every page of FF 1
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by
"RoboTarot" at DeviantArt
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<------- Planetary is "the Fantastic Four done as though they were bad guys. The starting point for the idea was an issue Ellis has with the Marvel version of the group: they have great powers, resources and inventions but use them only to fight bad guys. Theres no attempt from the group to better mankind. [edit: I disagree] That becomes a central idea of Elliss Four." (source) |
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arrested development by 'dunlavey' on deviantart |
by Winni Gerhards
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by Fred
Hembeck
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another by
Hembeck
(slightly different) |
by Giorgio Cavazzano | |
Thanks to Betty Boolean
for finding this! |
by Mike Bunt
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by Dana Black, Perhapablog |
by Jeff
Zapata
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by Marco D'Alfonso |
by Paul Hostetler
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by
'Underburbs' at DeviantArt
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by
'masuros' at deviantart
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by Matt Kindt (of Mind MGMT)
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by Adam Cline
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Disney/Pixar's Incredibles as the FF, by 'mariods'
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by Reddit user 'wondermarq'
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by Gene Guilmette
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The Incredibles, by Christian Moore
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Disney by 'Vatinorama' |
by SuperPunch (I'm guessing you didn't like Disney buying Marvel) |
more Disney, by "BabClayman" |
more Disney by Michael-Pumo, |
by 'Disney's Marvel' on Facebook |
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from the
SomethingAwful forums
| by David B Cooper
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by 'iMandarr'
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An entry for the Stockton convention competition entry by jliacademy |
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published by Werecat Studios
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Avatar tribute by 'comic chic'
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The Deviant Universe, by xdante619
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by TurkeyCreaux
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by 'Heck13r' |
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by 'routemaster'
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BY 'bahumit12' when in 6th grade (aged 11 or 12) |
by Danny Limor
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by Ben Baker
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by 'Rocket Stevo' |
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by Albert Bryan Bigley as a child (mash up of FF1 and FF171)
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by KayfabeTB, based on his daughter's art
| combined FF1 and Action Comics 1 tribute by 'mr_chewtoy'
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Jonathan Rector (pencils) and 'blade1158' (inks) |
by Lima Hibiki
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by 'JohnnyRocker666'
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Christmas
card by 'The Real Tony'
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Christmas
card by Mark Engblom
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by Danny
Wall
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by 'Stephen' and Randy Sargent |
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by 'bridgitall digital' - "somewhat loosely based on the first issue of Marvel's Fantastic Four"
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by Mike Mcelwee
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by
'BlackRhinoRanger', DeviantArt
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by Justin Peterson' |
by
"clayyount" at tumblr
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by "mochita chan" - a mash up of the FF, Star Trek, Dr Who, and more (right click for larger version)
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by 'RedmondJFox'
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by 'worldofagwu' on Flickr: old school low res 8 bit |
'Chouette Hamster Four' by 'blackbeardpirate
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by Danny HavoK
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a painted reproduction: acrylic on canvas by 'soaringcat'
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from Sluggy.com |
Atomic Cover by 'mbaker'
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by 'myporcelaintears'
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by Capital Capers
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by Chris
Uminga
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by Chuck Bedard
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from "Zig and-Zag's Zogazine" (I like this one a lot)
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by 'bukshot'
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by Katie
Cook (for trading cards)
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I don't normally
include foreign reprints, but this Australian one has crazy colors, and a
nice Thing corner icon on the opposite side to normal. Such reprints
illustrate just how far the FF's fame spread.
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By Alejandro Rosado, who described this as a Kirby "homage-tribute".
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Redrawn by hand on plastic
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by Legacy Brand Comics inc
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Tetrorganic Tetrad by 'Gizmo_Tracer' - the first photographic tribute!
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"amazing world of gumball"
by waniramirez' |
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by Rus Wooton (ruswooton.com)
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More than one kind of "underground" :)
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Sinnott again! For FF645
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by "jbinks" (JB Sapienza) at DeviantArt> A variant is titled 'Comics Appeal" with slightly different text |
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by 'Johnnyism' |
by 'MenziesTank' (note the text box from FF1, so yes this counts as a homage) |
a rare side view, by '8 bit blanka' |
I love this one! In 3D acrylic, by 'fmoll10092' |
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Star Wars, by 'm7781' on Deviantart. This is superb!! |
by Willie J Smith II
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'The Fowl Tempered Four' (Angry Birds!) By 'AngusMctavish' |
Bob's Burgers, by TheMuchoMan |
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roller derby poster by 'punkrockphil'
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by 'jayoh83' of 'HeroesOfTheWorld' |
by 'psychoslaughter' |
by "JDH" at
statueforums
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by Dave
Gutierrez
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'Power Pack vs the bogeyman'
by '_by_onyxswami' |
by Paul Shinn
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Phileas Flash:with balloons
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by Brendan Tobin |
"Lost Souls" tribute by "DoomsdayPicnic" |
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by Frenz and Curiel, from the Pineapple Thing period (circa FF310-320): note that this is underground |
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The original redrawn, by *TigerArtStudio on deviantArt |
by dara
from Ferret Press
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by Matt Feazel (from memory) |
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by Christopher Burdett based on Very Near Mint |
'Fantastic
Rhino' by Ivan Fiorelli
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by "c21" at
deviantart
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'the supavillian' by 'BrianBuster'
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by Mark Rand |
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by Laurence
DuCheny |
by 'ayelid' on deviantart |
rare 1994 fanzine by jkcarrier |
by Lucifer Sims |
by Karl Kesel (he should be writing AND drawing the FF!) |
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by Joseph Morris
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by Gary Lee |
parody lecture by Chad Carlson |
by 'ajdiChart' |
by Rainer Engel
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2021 and later. (No attempt to organise these: it takes too long!) |
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the Three Stooges |
Alien Queen by Joshua Cassara |
Charley and Humphrey |
by Tom Ryan |
by Fernando Ruiz |
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Love this one! (Scottie Young) |
Rick and Morty by 'DemonigoteCamis' |
Hannah Barbera's Galaxy Trio |
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What? You want more? OK... |
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Cartoons
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from the
1994 cartoon, season 2
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from the 2006 cartoon, season 1, episode 13 |
The ending
to The Incredibles: see below
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Models |
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by Art
Adams: see model, right ->
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<- see cover, left |
these models by Hasbro |
by Heroclix
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Games
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From the 'Marvel Heroes' game |
From the Superhero Squad game |
Champions/Heroes RPG guide
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Re-imaginings |
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The Whitechapel forum invited artists to create their own cover of Fantastic Four 1, as if they had never read the comic but just knew it was about four astronauts gaining super powers. Here are just a few of the many responses: |
by Chris G
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by Paul-Sizer |
by mrmcdaniel |
And of course the entire Marvel Universe is a tribute to FF 1 |
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Single panels |
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from 'Franklin Richards, Sons of Geniuses' 1
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Marvel Zombieverse
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from
Defenders 12
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from sketch comics
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from Exiles 67
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from Vision 4
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from FF Unlimited 6
(dialog is from the cover of FF1) |
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Miscellaneous |
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Another issue 1 cake!
Thanks to Karl Disley for spotting this |
1966 audio production of issue 1 |
Maximum
Fantastic Four, a coffee table sized tribute to issue 1:
every frame becomes a full page
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The pop-up
book: the perfect format for the image!
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"Nearly
everything about Giant-Size
X-Men #1 is a familiar echo of FF1: the Magnificent
Seven-like gathering of the team, the dysfunctional
bickering, the mysterious island to which they are
summoned, even the dramatic escape by plane as the
island explodes behind them." - Sean Howe, Marvel Comics
p.155
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"The best FF movie and story
was The Incredibles"
(Matt
Fraction, FF writer)
"The Incredibles was little
more than a thinly-disguised FF rip-off"
(Dial B for
Blog)
"Youd have to be blind to
miss the Fantastic Four references in Pixars The Incredibles."
(Gamma
Squad)
"Pixars Fantastic Four
homage"
(The
Comics Code blog)
"The best Fantastic Four
movie ever made. 'Nuff said."
(Furious
Fan Boys')
Q: "What non-marvel book,
movie or tv show have you seen that you would consider the most
like a marvel comic?"
A: "It's all right if
I say The Incredibles now, right?"
(Tom
Brevoort, FF editor and Executive Editor at Marvel.
Comment made after Disney bought Marvel.)
When Pixar made The Incredibles they did not have the rights to
the Fantastic Four. So they made it different enough to get past
the lawyers. But it's closer to the comic than any of the official
movies. "Incredible" and "Fantastic" mean pretty much the same
thing. This infographic by "CrowMaiden" at DeviantArt points out
some of the parallels:
More parallels:
Core concept: | A family of four fantastic / incredible superheroes (plus baby), led by Mr Fantastic / Incredible. |
Mr Fantastic: |
Mr Incredible. Stretching
powers switched to the Sue character. |
Invisible Girl: |
The girl. Who becomes
invisible. And has Sue's distinctive invisible forcefields. |
The Thing: |
Mr Incredible has the same
power, size, and personality (long-suffering but enjoys
clobbering). He even has a notable forehead. Note that the
Thing did not become rocky at first, but simply had a
monstrous hide. We see that briefly at the end, with his son
Jak Jak. |
The Torch: |
The blond hot headed kid
brother with super-mobility. Once again actual torch power
is transferred to Jak Jak (seen at the end, and prominently
in the "Jak Jak Attack" short.) |
Baby Franklin: |
Jak Jak, the baby with
vaguely defined all-purpose power like Franklin. "Jak-Jak"
may be a reference to Jack Kirby. |
Costumes: |
Plain primary color, black
cloves and collar, symbol in circle on chest. The early
costume in flashbacks was shown to be blue. (Note that the
original Human Torch, and the new one briefly, wore red.)
Even the masks are the same, though these were dropped from
the comic before publication. |
Main enemy: |
Syndrome. Though modern
readers think of Dr Doom as the FF's main adversary, the
Wizard was the first to decisively defeat the Fantastic
Four. Syndrome has the same power: he's a non-powered guy
who's great at inventing things. He has the same envy and
need to prove himself, the same extra large head, the same
purple and silver colors, the same wonder gloves, the same
specialism in anti-gravity, etc. Though Syndrome does have
Dr Doom's cloak: an important plot device in the movie. |
The Mole Man: |
The Underminer (the last
image instead of the first: don't want to make it too obvious!) |
Silver Surfer: |
Frozone: just look at the
pictures of him on his ice board, e.g. in the movie poster.
|
Main themes: |
Mr Incredible/Mr Fantastic
loses sight of what matters most. 1960s vibe: optimism, excitement, secret government agencies who are good guys with crazy technology, etc. Time moves forward. |
The case against the Incredibles
Some people say that "The Incredibles" owes a lot to "Watchmen" or
"Dark Knight Returns:" It's about alienation from the public. Yet
this was the dominant theme of the early FF issues: see the commentary
to issue 2. Watchmen and Dark Knight have superheroes retiring because
the
public no longer want them. This happened first in the Fantastic
Four: In issue 114 where they're in court for the damage they
caused.
Why the Incredibles was better than the official movies
"Take away their powers and this could have been any ordinary family; which was exactly the same reason why Marvels Fantastic Four had worked so well for years in the comics, as this was how they were day in day out, with the same set of dynamics, just applied to a different set of characters. The reason they failed to match this on the big-screen whilst The Incredibles did, was because the family dynamic was used to fill in the gaps of the story, instead of being the focus." (source)
To see how far the modern FF has fallen from the original vision,
read the
debate over who would win in a fight:
"I also think F4 would win. But
that's because The Incredibles is more grounded on reality."
and "I always had the
impression that The Incredibles was a 'family' version of the
Fantastic Four."
Read that and weep, old time Fantasti-fans. The original
Fantastic Four was defined by realism
and family. Oh how times have changed.
How are the mighty fallen. But "The Incredibles" is proof that the
original Fantastic Four concept is as strong as ever: ground the
story in reality! Make the story work even if you took away the
powers! Make them fallible, but above all bright and optimistic!
What worked in the 1960s can work again. Come on Marvel, just do
it. Bring back the original Fantastic
Four.
This was not deliberate. But it fits the zeitgeist of 1961: see the discussion of alienation in the notes to issue 2.
The idea of a buried statue of liberty was not new, and not restricted to comics:
The Statue of Liberty is a repeated theme in the Fantastic Four
universe. The Human Torch meets Spider-Man at Liberty's Torch every
Christmas, and at other times when they need to talk. The practice began
in Strange Tales annual 2.
Liberty was already a mainstay of the comics before 1961. When Prince
Namor first declared war on America (in Marvel Comics 7, then renamed
Marvel Mystery Comics) he made the Statue of Liberty his base.
Liberty features prominently just after the landmark issue 200, which
was all about equality and the end of the American Dream (see the notes
to that issue). Here in FF 203 the team must face alternate versions of
themselves, in a battle on Liberty herself.
Many have asked who tied Mr Fantastic up, and why The Invisible
Girl thinks that turning invisible will help. The answer is that
this is a symbolic cover: the event never happened in exactly this
way in the story, but it serves to introduce all the main
concepts. Yen4zen
observed that if the event actually happened like that, no doubt
the team were demonstrating their powers to onlookers (hence the
ropes) when the monster quickly burst through the road. There is
also the possibility that this was originally designed with non-super
powered people in mind: perhaps the foreground originally showed something different.
Why would invisibility help? The cover is in movement: the Torch is moving, Reed is feeing himself quickly, and fragments of the car are shattering. So we must conclude that Sue is in the process of just being grabbed. Sue clearly hoped to surprise the monster the moment he lunged for her, making him miss her. But she was a split second too slow. It is also possible that being invisible allows her to more easily slip between objects: in issue 1 she slips easily between people in a crowd. This may be the first hint of her forcefield.
This implies they had appeared before. And they had, in all the ways that matter.
True, these precise individuals had not appeared before, but the
character tropes were familiar. In the same way, if the comic said
"Batman of Earth 2" you could say you had seen him before as "Batman of
Earth 1" even though they were technically different Batmen. They were
the same super identity even if the alter ego was different.
Ben is pushing the car out of the way. Everything about the issue
indicates speed: every split second counts. Sue was almost certainly
standing in front of Reed, being grabbed, when Ben arrived. He had to
push the car out of the way for speed.
The three technical symbols on the cover give the real world business reasons why the Fantastic Four exist:
Comics Code
Comics were blamed for juvenile delinquency in the 1950s. Sales
collapsed, and the comics only survived because they voluntarily created
the "comics code" to guarantee morally safe stories. But one result of
the collapse in sales was that Marvel (then called Atlas) lost its
distributor, and the company almost shut down.